That Year-End Bubble? It’s Carnage Fatigue
Cover illustrations and photojournalism show us what 2025 is ready to shed: the cult of self, algorithmic capture, and cruelty as spectacle.
Are you, too, sensing the swing?
The Businessweek cover is nominally about the Tech/AI bubble, but it feels tuned to something broader—an exhaustion with hate, greed, and the corrosive buildup of Trump’s chaos.
These images point to a culture seeking relief.
Floral wallpaper—timeless and domestic—lies beneath a raw, urgent spray-paint script. Whimsy with an edge, it delivers a rebuke to narcissism and the cult of personality, with togetherness as the new order.

Another breakout in the works: youth culture staking its claim to physical space and embodied freedom. Unmediated, unmonetized, unalgorithmed, this image captures a generation pushing back against digital confinement, choosing dirt over dopamine loops.
In this campaign shot, Zohran punctures the bubble of exclusion and divisiveness with connection and joy. The photo is policy in action. It’s pluralism celebrated, not theorized, not demonized.
Resistance from power brokers to Zohran’s socialist agenda will be intense. Yet in the face of images like this, with what moral authority?

The old-timey vibe of the black-and-white evokes the very historical nostalgia Trump has weaponized—the Texas landscape, the stoic rancher, the mythology of rugged individualism. Yet this staunch conservative Republican has fully embraced wind power, an industry Trump is systematically destroying. The image says everything about the bubble: the popping sound is set up not by the denial of global heating or the dismantling of FEMA, but by soaring utility bills.

Trump’s machinery runs on separation—the threat of it, the spectacle of it, families visibly torn apart. This photo refuses that script. Kilmar was wrongfully deported; the system tried to erase him. And here he is, hand in hand with his wife, walking into daylight.
The tight frame makes the clasp everything. No crowd, no courthouse steps, no lawyers. Just the connection the cruelty tried to sever. That’s the bubble bursting. Not in rage but in love. In the simple, stubborn fact of people who refuse to be disappeared.

Photojournalists and illustrators have sustained us this year by making subterfuge visible. They’ve used irony not as cleverness but as clarity, showing us what we’re surrendering. In the case of this humanoid, it’s the dislocation of care from caring, health from healing, the body from touch. The laboratory setting frames caregiving as a technical problem rather than a relational act. And there you have Silicon Valley in a nutshell.
Stay tuned!
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